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	<title>Augusto Perera | International Trademark Attorney</title>
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		<title>Taylor Swift&#8217;s Voice Trademark: Can AI Clone a Brand Identity?</title>
		<link>https://augustoperera.com/2026/05/11/taylor-swift-voice-trademark-ai-cloning-digital-identity/</link>
		
		<dc:creator><![CDATA[Augusto Perera]]></dc:creator>
		<pubDate>Mon, 11 May 2026 16:14:14 +0000</pubDate>
				<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Trademark]]></category>
		<category><![CDATA[Artificial intelligence]]></category>
		<category><![CDATA[Brand protection]]></category>
		<category><![CDATA[Celebrity branding]]></category>
		<category><![CDATA[Deepfakes]]></category>
		<category><![CDATA[Digital identity]]></category>
		<category><![CDATA[Generative AI]]></category>
		<category><![CDATA[Intellectual property]]></category>
		<category><![CDATA[Sound trademark]]></category>
		<category><![CDATA[Taylor Swift]]></category>
		<category><![CDATA[Trademark law]]></category>
		<category><![CDATA[Use in commerce]]></category>
		<category><![CDATA[Voice cloning]]></category>
		<guid isPermaLink="false">https://augustoperera.com/?p=4382</guid>

					<description><![CDATA[<p>Taylor Swift’s recent trademark filings mark a notable shift in how celebrities are protecting their brands in the era of generative AI. Instead of focusing solely on names, lyrics, or logos, Swift is attempting to trademark something far more elusive: her voice.   Specifically, she has filed applications for short audio clips promoting her new[...]</p>
<p>The post <a href="https://augustoperera.com/2026/05/11/taylor-swift-voice-trademark-ai-cloning-digital-identity/">Taylor Swift&#8217;s Voice Trademark: Can AI Clone a Brand Identity?</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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					<h1 class="elementor-heading-title elementor-size-default">Taylor Swift&#8217;s Voice Trademark: Can AI Clone a Brand Identity?</h1>				</div>
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									<p>Taylor Swift’s recent trademark filings mark a notable shift in how celebrities are protecting their brands in the era of generative AI. Instead of focusing solely on names, lyrics, or logos, Swift is attempting to trademark something far more elusive: <strong><b>her voice</b></strong>.</p><p> </p><p>Specifically, she has filed applications for short audio clips promoting her new album, along with an image of her performing on stage. While sound trademarks aren’t new, using them to protect a <em><i>celebrity voice against AI imitation</i></em> is largely uncharted territory.</p><p>And it raises a fundamental question: <strong><b>Can trademark law—built on “use in commerce”—really protect something as fluid as a human voice?</b></strong></p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">Trademark Law 101: It Starts With Use, Not Filing</h2>				</div>
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									<p>At its core, U.S. trademark law is grounded in a simple principle: <strong><b>rights come from use in commerce, not just registration</b></strong>.</p><p>To qualify for protection, a trademark must:</p><ul><li>Be used in connection with goods or services</li><li>Identify the source of those goods or services</li><li>Be distinctive enough to distinguish that source from others</li></ul><p>Swift’s filings appear carefully structured to meet this standard. The audio clips aren’t sound recordings—they’re <strong><b>commercial endorsements tied to specific platforms (Amazon Music and Spotify)</b></strong>. That context matters.</p><p>By embedding her voice in a commercial message, she strengthens the argument that the sound functions as a <strong><b>source identifier</b></strong>, not just creative expression.</p>								</div>
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					<h3 class="elementor-heading-title elementor-size-default">Why AI Changes the Trademark Landscape</h3>				</div>
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									<p>Historically, artists relied on <strong><b>copyright law</b></strong> to protect recordings. But AI has exposed a gap: you can now generate a <em><i>new</i></em> recording that sounds like Taylor Swift without copying any existing track.</p><p>That’s where trademark law becomes appealing.</p><p>Trademark infringement doesn’t require exact duplication. It hinges on whether something is <strong><b>“confusingly similar”</b></strong> to a protected mark. If Swift successfully registers these sound marks, she could potentially argue that AI-generated imitations of her voice create consumer confusion—especially in commercial contexts.</p><p>This is a significant shift. It moves the legal focus from <em><i>copying content</i></em> to <em><i>misleading audiences</i></em>.</p>								</div>
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					<h5 class="elementor-heading-title elementor-size-default">The Challenge: Proving Distinctiveness Through Use</h5>				</div>
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									<p>Here’s where things get complicated.</p><p>Not every sound—or voice—qualifies as a trademark. To be protected, it must be:</p><ul><li><b></b><strong><b>Distinctive</b></strong></li><li><b></b><strong><b>Consistently used in commerce</b></strong></li><li><b></b><strong><b>Recognized by consumers as a brand identifier</b></strong></li></ul><p>Iconic examples like the NBC chimes or MGM lion roar meet this bar because they are:</p><ul><li>Repeated frequently</li><li>Used in consistent commercial settings</li><li>Instantly recognizable as tied to a specific source</li></ul><p>Swift’s challenge will be proving that <strong><b>specific phrases in her voice</b></strong> function the same way.</p><p>And that brings us back to “use in commerce.” Filing an application is only the beginning. To maintain and enforce these rights, she must show:</p><ul><li>Ongoing commercial use of the audio clips</li><li>Consumer recognition of those clips as uniquely tied to her brand</li><li>A likelihood of confusion when others use similar-sounding audio</li></ul>								</div>
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					<h5 class="elementor-heading-title elementor-size-default">A New Playbook for Brand Protection?</h5>				</div>
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									<p>Swift isn’t alone. Matthew McConaughey and other celebrities are exploring similar strategies, signaling what may become a broader trend: <strong><b>turning identity itself into trademarked property</b></strong>.</p><p>For businesses and creators, this has real implications.</p><p>If courts accept this approach, we may see:</p><ul><li>Influencers trademarking signature phrases or vocal styles</li><li>Brands protecting synthetic voices used in ads or AI assistants</li><li>Expanded enforcement against deepfakes under trademark law—not just copyright or publicity rights</li></ul>								</div>
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					<h5 class="elementor-heading-title elementor-size-default">What Businesses Should Take Away</h5>				</div>
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									<p>Even if you’re not a global pop star, the underlying lesson is highly relevant:</p><ol><li><strong><b> Think Beyond Names and Logos</b></strong></li></ol><p>Trademarks can include sounds, visuals, and other nontraditional elements—if they function as brand identifiers.</p><ol start="2"><li><strong><b> Anchor Everything in Commercial Use</b></strong></li></ol><p>A clever idea or unique asset isn’t protectable unless it’s actively used in the marketplace.</p><ol start="3"><li><strong><b> Be Consistent</b></strong></li></ol><p>Repetition and consistency are what turn a creative element into a legally protectable mark.</p><ol start="4"><li><strong><b> Document Your Use</b></strong></li></ol><p>Keep clear records of how and where your mark appears in commerce. This is critical in any dispute.</p>								</div>
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The Bigger Picture</h5>				</div>
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									<p>Swift’s filings highlight a broader reality: <strong><b>the law is racing to catch up with technology</b></strong>.</p><p>Trademark law, with its emphasis on consumer perception and marketplace use, may become one of the most flexible tools available to combat AI-driven impersonation. But its success will depend on how courts interpret these new types of marks.</p><p>For now, one thing is clear: in a world where voices can be cloned and identities replicated, <strong><b>“use in commerce” is no longer just a legal technicality—it’s the foundation of digital identity protection</b></strong>.</p>								</div>
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		<p>The post <a href="https://augustoperera.com/2026/05/11/taylor-swift-voice-trademark-ai-cloning-digital-identity/">Taylor Swift&#8217;s Voice Trademark: Can AI Clone a Brand Identity?</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">4382</post-id>	</item>
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		<title>Intellectual Property in M&#038;A: Protecting Trademarks &#038; Copyrights in the AI Era</title>
		<link>https://augustoperera.com/2026/04/07/intellectual-property-ma-trademarks-copyrights-ai/</link>
		
		<dc:creator><![CDATA[Augusto Perera]]></dc:creator>
		<pubDate>Tue, 07 Apr 2026 20:25:09 +0000</pubDate>
				<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Trademark]]></category>
		<guid isPermaLink="false">http://augustoperera.com/?p=4223</guid>

					<description><![CDATA[<p>As businesses continue to grow through mergers, acquisitions, and strategic investments, trademarks and copyrights are becoming some of the most valuable assets in any transaction. This was a major focus of the 2026 The Business of M&#38;A: Navigating the Convergence of Intangible Assets and Capital in the Age of AI Conference held last month in[...]</p>
<p>The post <a href="https://augustoperera.com/2026/04/07/intellectual-property-ma-trademarks-copyrights-ai/">Intellectual Property in M&#038;A: Protecting Trademarks &#038; Copyrights in the AI Era</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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					<h1 class="elementor-heading-title elementor-size-default">Intellectual Property in M&#038;A: Protecting Trademarks &#038; Copyrights in the AI Era</h1>				</div>
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									<p>As businesses continue to grow through mergers, acquisitions, and strategic investments, <strong>trademarks and copyrights are becoming some of the most valuable assets in any transaction</strong>. This was a major focus of the <strong>2026 The Business of M&amp;A: Navigating the Convergence of Intangible Assets and Capital in the Age of AI Conference</strong> held last month in New York City.<br /><br />Across multiple presentations, one message stood out: in today’s market, brand identity, copyrighted content, and digital assets often drive both <strong>deal value and legal risk</strong>.</p><p>For companies involved in M&amp;A, careful <strong>intellectual property due diligence</strong> is essential to protect enterprise value and avoid post-closing disputes.</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">Why Trademarks and Copyrights Matter in M&amp;A</h2>				</div>
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									<p>A company’s brand is often one of its most valuable business assets. Trademark portfolios, logos, slogans, advertising campaigns, website content, and other copyrighted materials can significantly influence valuation.<br /><br />The conference’s <strong>Brand Integration and Post-Merger Strategy</strong> panel highlighted the importance of consolidating trademark portfolios, managing legacy licensing agreements, and preserving brand authenticity after a deal closes. </p><p>Key legal issues include:</p><ul><li>ownership and chain-of-title review</li><li>trademark registration status and renewals</li><li>copyright assignments and licensing rights</li><li>rebranding and consumer-facing communications</li><li>preservation of goodwill and brand recognition</li></ul><p>These issues can directly impact the success of the transaction and the long-term strength of the acquired brand.</p>								</div>
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					<h3 class="elementor-heading-title elementor-size-default">Due Diligence and Post-Merger Integration</h3>				</div>
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									<p>The conference also emphasized that the legal work does not end at signing.</p><p>Presentations on <strong>due diligence and post-merger IP integration</strong> stressed the need to identify ownership gaps, unresolved licenses, and conflicting brand rights before and after closing.   </p><p>Without a strategic integration plan, businesses may face:</p><ul><li>conflicting brand portfolios</li><li>gaps in ownership records</li><li>outdated licensing agreements</li><li>inconsistent use across markets</li><li>increased enforcement risks</li></ul><p>For companies operating internationally, cross-border trademark and copyright rights add another layer of complexity.</p>								</div>
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					<h5 class="elementor-heading-title elementor-size-default">The Growing Role of AI and Digital Assets</h5>				</div>
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									<p>As AI and digital content continue to shape modern transactions, legal diligence now extends to digital marketing assets, branded content, and copyright ownership in AI-assisted works.<br /><br />These assets are increasingly part of valuation discussions and post-close integration strategies.</p>								</div>
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					<h5 class="elementor-heading-title elementor-size-default">How Our Firm Can Help</h5>				</div>
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									<p>Our trademark and copyright attorneys help businesses protect the value behind their brands and creative assets throughout the M&amp;A lifecycle.</p><p> </p><p>We advise clients on:</p><ul><li>trademark and copyright due diligence</li><li>portfolio consolidation and ownership review</li><li>licensing and assignment agreements</li><li>post-merger brand integration</li><li>cross-border IP strategy</li></ul><p> </p><p><strong>If your business is planning a merger, acquisition, or strategic transaction, contact our team to help safeguard your trademarks, copyrights, and long-term brand value.</strong></p>								</div>
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		<p>The post <a href="https://augustoperera.com/2026/04/07/intellectual-property-ma-trademarks-copyrights-ai/">Intellectual Property in M&#038;A: Protecting Trademarks &#038; Copyrights in the AI Era</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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		<title>Trademark Appeals Board: “CHATGPT” Is Descriptive but Can Still Be Registered ⚖️</title>
		<link>https://augustoperera.com/2026/03/09/trademark-appeals-board/</link>
		
		<dc:creator><![CDATA[Augusto Perera]]></dc:creator>
		<pubDate>Mon, 09 Mar 2026 15:37:45 +0000</pubDate>
				<category><![CDATA[Trademark]]></category>
		<guid isPermaLink="false">http://augustoperera.com/?p=4167</guid>

					<description><![CDATA[<p>On March 4, 2026, the U.S. Trademark Trial and Appeal Board (TTAB) issued a decision in In re OpenAI OpCo, LLC, addressing whether the mark CHATGPT can be registered as a trademark in the United States. The Board agreed with the USPTO that “CHATGPT” is descriptive, meaning the name directly describes the technology behind the[...]</p>
<p>The post <a href="https://augustoperera.com/2026/03/09/trademark-appeals-board/">Trademark Appeals Board: “CHATGPT” Is Descriptive but Can Still Be Registered ⚖️</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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					<h1 class="elementor-heading-title elementor-size-default">Trademark Appeals Board: “CHATGPT” Is Descriptive but Can Still Be Registered ⚖️</h1>				</div>
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									<p>On <strong>March 4, 2026</strong>, the U.S. Trademark Trial and Appeal Board (TTAB) issued a decision in <em>In re OpenAI OpCo, LLC</em>, addressing whether the mark <strong>CHATGPT</strong> can be registered as a trademark in the United States.</p>
<p>The Board agreed with the USPTO that <strong>“CHATGPT” is descriptive</strong>, meaning the name directly describes the technology behind the product. However, the application can still move forward because OpenAI showed the mark has <strong>acquired distinctiveness</strong> through use in the marketplace. </p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">What OpenAI Applied to Register</h2>				</div>
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									<p>OpenAI applied to register <strong>CHATGPT</strong> for software and services related to artificial intelligence, including:</p>
<ul>
<li>Software that generates text and speech</li>
<li>Natural language processing tools</li>
<li>Machine-learning language models</li>
<li>Chatbot software that simulates conversations</li>
<li>Online AI research and development services </li>
</ul>								</div>
				</div>
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					<h3 class="elementor-heading-title elementor-size-default">Why the USPTO Refused the Mark</h3>				</div>
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									<p>The Trademark Examining Attorney refused the application because the name <strong>CHATGPT</strong> was considered <strong>“merely descriptive.”</strong></p>
<p>Under trademark law, a term cannot be registered on the Principal Register if it simply describes a feature or function of the product. </p>
<p><strong>How the TTAB Analyzed the Name</strong></p>
<p>The Board broke the mark into two parts:</p>
<ol>
<li><strong> “CHAT”</strong></li>
</ol>
<p>The Board found that “chat” directly describes the conversational function of chatbot software. The evidence showed that chatbots are designed to <strong>“chat” or communicate with users through messages or dialogue.</strong> </p>
<p>Because OpenAI’s software allows users to interact conversationally, the word <strong>CHAT</strong> immediately describes how the technology works.</p>
<ol start="2">
<li><strong> “GPT”</strong></li>
</ol>
<p>The Board also found that <strong>GPT</strong> is widely recognized as an abbreviation for <strong>“Generative Pre-Trained Transformer,”</strong> a type of machine-learning model used to generate human-like text. </p>
<p>Evidence included dictionary definitions, news articles, and industry publications showing the term is commonly used to describe the underlying AI model.</p>								</div>
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					<h5 class="elementor-heading-title elementor-size-default">Putting the Terms Together</h5>				</div>
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									<p>When combined, the Board concluded that <strong>CHATGPT simply describes a chatbot powered by a generative pre-trained transformer model.</strong></p>
<p>Because the two descriptive terms retain their meaning when combined, the full mark <strong>does not create a unique or unexpected meaning.</strong> </p>								</div>
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					<h5 class="elementor-heading-title elementor-size-default">Why the Application Still Survives</h5>				</div>
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									<p>Although the Board agreed the mark is descriptive, OpenAI had already claimed <strong>acquired distinctiveness</strong> under Section 2(f).</p>
<p>This means the company argued that, through extensive public use and recognition, consumers now associate <strong>CHATGPT</strong> specifically with OpenAI.</p>
<p>The Board affirmed the descriptiveness refusal but allowed the application to <strong>proceed based on acquired distinctiveness.</strong> </p>								</div>
				</div>
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					<h4 class="elementor-heading-title elementor-size-default">Why This Decision Matters</h4>				</div>
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									<p>This case highlights an important point in trademark law:</p>
<ul>
<li>Even highly recognizable brand names can be <strong>descriptive</strong>.</li>
<li>A descriptive term can still be registered if the owner proves the public <strong>associates the name with a single source</strong>.</li>
</ul>
<p>For technology companies—especially in fast-moving AI markets—choosing a name that describes the technology may make marketing easier, but it can also make trademark protection more difficult. <strong>If you are developing a new brand or product name, our trademark team can help you evaluate risks, secure protection, and build a stronger brand strategy. Contact us to discuss your trademark needs.</strong> ⚖️</p>
<p> </p>								</div>
				</div>
					</div>
				</div>
				</div>
		<p>The post <a href="https://augustoperera.com/2026/03/09/trademark-appeals-board/">Trademark Appeals Board: “CHATGPT” Is Descriptive but Can Still Be Registered ⚖️</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">4167</post-id>	</item>
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		<title>Want to Trademark a Sound? Here’s How Brands Like Intel, NBC, and MGM Did It</title>
		<link>https://augustoperera.com/2026/02/10/trademark-a-sound-heres-how-brands-like-intel-nbc-and-mgm-did-it/</link>
		
		<dc:creator><![CDATA[Augusto Perera]]></dc:creator>
		<pubDate>Tue, 10 Feb 2026 15:49:03 +0000</pubDate>
				<category><![CDATA[Trademark]]></category>
		<guid isPermaLink="false">http://augustoperera.com/?p=4131</guid>

					<description><![CDATA[<p>When you think of a trademark, you might picture a logo, wordmark, or slogan. But did you know that a sound can also be protected as a trademark? From the deep roar of MGM’s lion to NBC’s iconic three-note chimes to Intel’s futuristic audio logo, sound marks are a powerful way for brands to stand[...]</p>
<p>The post <a href="https://augustoperera.com/2026/02/10/trademark-a-sound-heres-how-brands-like-intel-nbc-and-mgm-did-it/">Want to Trademark a Sound? Here’s How Brands Like Intel, NBC, and MGM Did It</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
]]></description>
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					<h1 class="elementor-heading-title elementor-size-default">Want to Trademark a Sound? Here’s How Brands Like Intel, NBC, and MGM Did It</h1>				</div>
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									<p>When you think of a trademark, you might picture a logo, wordmark, or slogan. But did you know that a sound can also be protected as a trademark?</p><p>From the <strong>deep roar of MGM’s lion</strong> to <strong>NBC’s iconic three-note chimes</strong> to <strong>Intel’s futuristic audio logo</strong>, sound marks are a powerful way for brands to stand out—and stick in our minds.</p><p>This blog post explains what sound marks are, how they work, and what it takes to register one with the U.S. Patent and Trademark Office (USPTO)—featuring real, registered examples from famous brands.</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">What Is a Sound Mark?</h2>				</div>
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									<p>A <strong>sound mark</strong> is a trademark that identifies the source of a product or service <strong>through sound</strong> rather than through a visual design. For a sound to function as a trademark, it must:</p><ul><li><strong>Assume a distinctive structure</strong>, and</li><li><strong>Create a strong mental association</strong> between the sound and the brand in the minds of consumers.</li></ul><p>(<em>In re Gen. Electric Broad. Co.</em>, 197 USPQ 560 (TTAB 1978))</p><p>Sounds that meet these standards can be registered on the <strong>Principal Register</strong>—the same as word or logo marks.</p>								</div>
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					<h3 class="elementor-heading-title elementor-size-default">Real Examples of Registered Sound Marks</h3>				</div>
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									<h6><strong>🔊 </strong><strong>Intel’s Five-Note Chime</strong></h6>								</div>
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									<p><strong>Serial No. 75332744</strong></p><p><strong>Industry:</strong> Computer hardware and software, operating systems</p><p>You probably hear this one in your head already: the five-note “Intel Bong” chime that plays at the end of their commercials. Simple, modern, and futuristic, it perfectly encapsulates Intel’s brand identity. It’s been registered as a <strong>sound mark</strong>, securing it as a piece of the company’s intellectual property.</p><p> </p><p>✅ Why it qualifies: It is <strong>arbitrary, unique</strong>, and used consistently in marketing to trigger brand recognition.</p>								</div>
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					<h6 class="elementor-heading-title elementor-size-default">🎵 
NBC’s Three-Note Chimes</h6>				</div>
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									<p><strong>Reg. No. 72349496</strong></p><p><strong>Industry:</strong> Broadcasting and entertainment</p><p>NBC’s chimes—three tones representing the notes G, E, and C—are one of the earliest and most famous sound marks in the U.S. The chime has been used since the 1920s and remains a signature audio cue for the network’s programming.</p><p>✅ Why it qualifies: The tones are not functional or commonplace—they are <strong>distinctive and immediately tied to NBC’s brand</strong>, especially in the context of broadcasting.</p>								</div>
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					<h6 class="elementor-heading-title elementor-size-default">🦁 
MGM’s Roaring Lion
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									<p><strong>Serial No. 73553567</strong></p><p><strong>Industry:</strong> Film and entertainment</p><p>Before any MGM movie begins, you’ll hear the unmistakable roar of a lion. It’s more than an opening cue—it’s a brand in itself. MGM successfully registered the lion’s roar as a sound mark to protect its use in film and media.</p><p> </p><p>✅ Why it qualifies: It’s a <strong>non-functional</strong>, attention-grabbing sound that signals the start of MGM entertainment—uniquely connected to the brand experience.</p>								</div>
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					<h5 class="elementor-heading-title elementor-size-default">What Makes a Sound Mark Registrable?</h5>				</div>
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									<p>Not all sounds can be trademarked. To be eligible for registration, a sound must be:</p><ul><li><strong>Distinctive or arbitrary</strong> (i.e., not a sound the product naturally makes)</li><li>Used in commerce to identify and distinguish the brand</li><li>Capable of creating a lasting <strong>association</strong> in the consumer’s mind</li></ul><p>Sounds considered <strong>“commonplace”</strong>—like alarm beeps, ringtones, or electronic chirps—typically require <strong>proof of acquired distinctiveness</strong>, meaning the brand must show that consumers already associate the sound with their goods or services.</p>								</div>
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					<h5 class="elementor-heading-title elementor-size-default">How to Apply for a Sound Mark</h5>				</div>
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									<p>Registering a sound mark requires several unique steps:</p><p> </p><ol><li><strong>No Visual Drawing</strong></li></ol><p>Because sound marks are non-visual, you don’t submit a traditional logo drawing. Instead:</p><ul><li>Select “Sound Mark” as the mark type</li><li>Include a <strong>detailed description</strong> of the sound (e.g., “a sequence of five musical notes”)</li><li>Upload an <strong>audio file</strong> of the mark (.mp3, .wav, etc., under 5MB)</li></ul><p> </p><ol start="2"><li><strong>Specimen of Use</strong></li></ol><p>You must provide a <strong>specimen</strong> showing how the sound is used in commerce. Acceptable specimens include:</p><ul><li>A video advertisement that uses the sound</li><li>A product demo or app interface featuring the audio mark</li><li>An online video or media player showcasing the mark in use</li></ul><p> </p><ol start="3"><li><strong>Supplemental Materials</strong></li></ol><p>If applicable, include:</p><ul><li><strong>Sheet music</strong> (for musical marks)</li><li>A <strong>written description</strong> of the sound</li><li>A statement clarifying the mark is <strong>non-visual</strong></li></ul>								</div>
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					<h4 class="elementor-heading-title elementor-size-default">Tips for a Successful Sound Mark Application</h4>				</div>
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									<p>✅ <strong>Make it distinctive</strong> – The more unique your sound is, the more likely it is to qualify.</p><p> </p><p>✅ <strong>Use it consistently</strong> – Integrate the sound into your branding (e.g., commercials, app openers, product packaging).</p><p> </p><p>✅ <strong>Build association</strong> – Ensure customers recognize the sound as a key part of your brand.</p><p> </p><p>✅ <strong>Prepare to prove acquired distinctiveness</strong> – If your sound is borderline commonplace, gather advertising and consumer recognition data.</p>								</div>
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					<h4 class="elementor-heading-title elementor-size-default">Why Sound Marks Matter in Branding</h4>				</div>
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									<p>In a noisy digital world, a memorable sound can trigger instant recognition. Just like a logo or color scheme, a well-crafted audio identity can:</p><ul><li>Increase brand recall</li><li>Reinforce emotional connection</li><li>Differentiate you in a crowded market</li></ul><p>By protecting that sound with a trademark, you’re legally reinforcing your brand identity—just like <strong>Intel</strong>, <strong>NBC</strong>, and <strong>MGM</strong> have done.</p><p><strong>Considering a sound mark for your brand?</strong> If your audio branding is distinctive and consistently used, it might be your next great IP asset.</p>								</div>
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		<p>The post <a href="https://augustoperera.com/2026/02/10/trademark-a-sound-heres-how-brands-like-intel-nbc-and-mgm-did-it/">Want to Trademark a Sound? Here’s How Brands Like Intel, NBC, and MGM Did It</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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		<title>Are You Liable for Copyright Infringement if Users Post Infringing Art on Your Website or Social Network?</title>
		<link>https://augustoperera.com/2026/01/09/copyright-infringement-liability/</link>
		
		<dc:creator><![CDATA[Augusto Perera]]></dc:creator>
		<pubDate>Fri, 09 Jan 2026 16:34:39 +0000</pubDate>
				<category><![CDATA[Copyright]]></category>
		<guid isPermaLink="false">http://augustoperera.com/?p=4012</guid>

					<description><![CDATA[<p>If you run a website, social network, or any kind of platform where users can upload or share content — artwork, videos, music, or anything else — you might be wondering: Am I legally responsible if one of my users uploads something that infringes copyright? The short answer: Not necessarily — but only if you[...]</p>
<p>The post <a href="https://augustoperera.com/2026/01/09/copyright-infringement-liability/">Are You Liable for Copyright Infringement if Users Post Infringing Art on Your Website or Social Network?</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
]]></description>
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					<h1 class="elementor-heading-title elementor-size-default">Are You Liable for Copyright Infringement if Users Post Infringing Art on Your Website or Social Network?</h1>				</div>
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									<p>If you run a website, social network, or any kind of platform where users can upload or share content — artwork, videos, music, or anything else — you might be wondering: <em>Am I legally responsible if one of my users uploads something that infringes copyright?</em></p><p>The short answer: <strong>Not necessarily — but only if you meet certain legal requirements.</strong></p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">Understanding the DMCA and “Service Provider” Status</h2>				</div>
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									<p>Under U.S. copyright law — specifically the <strong>Digital Millennium Copyright Act (DMCA)</strong> — platforms that host or transmit user-generated content are generally referred to as <strong>“service providers.”</strong></p><p>Importantly, this term isn’t limited to internet access companies like Comcast or Verizon. In the eyes of the law, it includes:</p><ul><li>Social networks</li><li>Online marketplaces</li><li>Image-sharing platforms</li><li>Video hosting sites</li><li>Forums and community websites</li><li>Any platform that stores or distributes content on behalf of users</li></ul><p>So if your website allows users to post or upload content, <strong>you’re likely considered a service provider under the DMCA.</strong></p>								</div>
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					<h3 class="elementor-heading-title elementor-size-default">The Safe Harbor: A Legal Shield — If You Qualify</h3>				</div>
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									<p>The DMCA offers what’s known as <strong>“safe harbor” protection</strong> to service providers. This protection shields your business from financial liability if your users upload infringing content — such as copyrighted artwork — <strong>as long as you follow certain rules.</strong></p><p>To qualify for DMCA safe harbor, your platform must:</p><ul><li><strong>Act quickly</strong> to remove infringing content when you receive a proper takedown notice.</li><li><strong>Not have actual knowledge</strong> of the infringement (or be “willfully blind” to it).</li><li><strong>Avoid benefiting financially</strong> from the infringing content, if you also have the right and ability to control it.</li><li><strong>Adopt and enforce a repeat infringer policy</strong> (and actually follow through on it).</li><li><strong>Accommodate standard technical measures</strong> used by copyright holders to identify and protect their content.</li><li>And — critically — designate and register a DMCA agent.</li></ul>								</div>
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					<h4 class="elementor-heading-title elementor-size-default">The Often-Overlooked Requirement: Registering Your DMCA Agent</h4>				</div>
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									<ul><li><p>To fully qualify for safe harbor, service providers must designate a <strong>DMCA agent</strong> to receive copyright infringement notifications. But this step involves <strong>two mandatory actions</strong>:</p><ol><li><strong>Register your agent with the U.S. Copyright Office</strong>, and</li><li><strong>Post the agent’s contact information on your website</strong>, in a place accessible to the public</li></ol><p>Failing to do both means you are <strong>not eligible for DMCA protection</strong> — regardless of how well you comply with the other rules.</p><p>Also, <strong>safe harbor protections are not retroactive.</strong> If your site is accused of infringement that occurred <em>before</em> your DMCA agent was registered, you <strong>can’t backdate compliance</strong> to shield yourself later.</p></li></ul>								</div>
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					<h5 class="elementor-heading-title elementor-size-default">What This Means for You</h5>				</div>
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									<p>Let’s say you operate an online art-sharing platform. A user uploads a piece of copyrighted art without permission. If:</p><ul><li>You’ve registered a DMCA agent</li><li>You post the agent’s info on your website</li><li>You remove the artwork promptly upon receiving a valid notice</li><li>You have and enforce a repeat infringer policy</li></ul><p>Then your platform is <strong>likely protected</strong> from liability.</p><p>But if you miss even one key step — especially failing to register your DMCA agent — you may <strong>lose that protection completely.</strong></p>								</div>
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					<h6 class="elementor-heading-title elementor-size-default">Key Takeaway</h6>				</div>
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									<p>You’re not automatically liable for your users’ copyright violations — but you’re not automatically off the hook either. The law gives you a path to avoid liability, but only if you act responsibly and meet the DMCA’s requirements, but <strong>only</strong> if you act responsibly and meet <strong>all</strong> of its requirements — <strong>including agent registration</strong>.</p><p>If your website or app allows users to post content of any kind, <strong>understand the rules, build compliant policies, and take infringement seriously.</strong> It’s not just about protecting artists — it’s about protecting your business.</p>								</div>
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					<h6 class="elementor-heading-title elementor-size-default">Need Help Navigating DMCA Compliance?</h6>				</div>
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									<p>If you’re unsure whether your platform qualifies for safe harbor protection — or you need help creating a repeat infringer policy, takedown process, or terms of service — <strong>now is the time to act.</strong> Don’t wait for a legal threat to force your hand.</p><p>👉 <strong>Reach out today to discuss how to protect your platform from copyright liability and stay compliant with the law.</strong></p><p>Protect your users. Protect your business. <strong>Protect your future.</strong></p>								</div>
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		<p>The post <a href="https://augustoperera.com/2026/01/09/copyright-infringement-liability/">Are You Liable for Copyright Infringement if Users Post Infringing Art on Your Website or Social Network?</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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		<title>Why the Twitter® Trademarks Are Being Challenged: Understanding Abandonment Under U.S. Trademark Law</title>
		<link>https://augustoperera.com/2025/12/09/twitter-trademark-challenges-abandonment-us-law/</link>
		
		<dc:creator><![CDATA[Augusto Perera]]></dc:creator>
		<pubDate>Tue, 09 Dec 2025 16:23:25 +0000</pubDate>
				<category><![CDATA[Trademark]]></category>
		<guid isPermaLink="false">http://augustoperera.com/?p=3991</guid>

					<description><![CDATA[<p>When a company stops using a brand, the law does not allow that company to indefinitely block others from using it. In the United States, trademark rights exist to protect active commercial use, not to preserve “museum pieces” of branding that no longer function in the marketplace.  That principle is at the heart of a[...]</p>
<p>The post <a href="https://augustoperera.com/2025/12/09/twitter-trademark-challenges-abandonment-us-law/">Why the Twitter® Trademarks Are Being Challenged: Understanding Abandonment Under U.S. Trademark Law</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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					<h1 class="elementor-heading-title elementor-size-default">Why the Twitter® Trademarks Are Being Challenged: Understanding Abandonment Under U.S. Trademark Law</h1>				</div>
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									<p>When a company stops using a brand, the law does not allow that company to indefinitely block others from using it. In the United States, trademark rights exist to protect <strong>active commercial use</strong>, not to preserve “museum pieces” of branding that no longer function in the marketplace.  <br />That principle is at the heart of a petition recently filed to cancel several legacy <strong>TWITTER</strong> and <strong>TWEET</strong> registrations previously owned by Twitter, Inc. and now assigned to X Corp. This filing is an excellent opportunity to help clients understand <strong>what trademark abandonment is</strong>, <strong>how the law defines it</strong>, and <strong>why this matters for anyone developing or protecting a brand</strong>.</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">What Does “Abandoned” Mean Under the Lanham Act?</h2>				</div>
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									<p>The governing definition is found in the <strong>Lanham Act, 15 U.S.C. §1127</strong>, which states that a mark is considered <em>abandoned</em> when:</p><ol><li><strong>Use has been discontinued</strong>,</li><li><strong>With intent not to resume such use</strong>,</li><li>And “nonuse for 3 consecutive years” constitutes <em>prima facie</em> (presumed) abandonment.</li></ol><p>In other words, a trademark owner must <strong>continue real commercial use</strong> of its registered marks <strong>and</strong> have an <strong>intent to keep using them</strong>. If either element disappears, rights can be lost.</p><p>The purpose of this rule is simple: U.S. trademark law protects <strong>active indicators of source</strong>, not historical names that no longer represent goods or services in the marketplace.</p>								</div>
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					<h3 class="elementor-heading-title elementor-size-default">How Abandonment Applies to the Former Twitter Brand</h3>				</div>
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									<p>The petition to cancel the TWITTER-related trademarks outlines a detailed timeline showing that Twitter—after being acquired and merged into <strong>X Corp.</strong>—<strong>stopped using the TWITTER and TWEET brands entirely</strong>.</p><p><strong>Major events supporting abandonment include:</strong></p><ul><li><strong>Public announcement of the rebrand</strong>:</li></ul><p>Elon Musk stated on July 23, 2023 that the company would “bid adieu to the Twitter brand and, gradually, all the birds.”</p><p>This signal of <em>intent not to resume use</em> is a key factor.</p><ul><li><strong>Complete visual rebrand</strong>:</li></ul><p>The iconic blue bird logo was removed from apps, websites, and company headquarters and replaced with the X logo.</p><ul><li><strong>Functional changes</strong>:</li></ul><p>Twitter “tweets” were no longer called tweets—just “posts” or “xeets.”</p><ul><li><strong>Domain shift</strong>:</li></ul><p>As of May 17, 2024, the platform had migrated fully to <strong>x.com</strong>, eliminating active commercial use of the TWITTER name.</p><ul><li><strong>Discontinued filings and lapsed registrations</strong>:</li></ul><p>Numerous TWITTER-formative applications and registrations were allowed to abandon or lapse—further evidence of no intent to resume use.</p><p>Under the Lanham Act, these actions collectively indicate both <strong>nonuse</strong> and <strong>intent not to resume use</strong>, the two elements required for abandonment.</p>								</div>
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					<h4 class="elementor-heading-title elementor-size-default">Why a Cancellation Petition Was Necessary</h4>				</div>
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									<ul><li><p>When another party (in this case, <strong>Operation Bluebird, Inc.</strong>) seeks to register a new mark—here, versions of <strong>TWITTER</strong> and <strong>TWEET</strong> for new services—the USPTO may refuse registration because older registrations still exist.</p><p>Even if the previous owner has stopped using the marks, the USPTO <strong>cannot simply remove them</strong>. A formal <strong>Trademark Trial and Appeal Board (TTAB)</strong> proceeding is required.</p><p>That is exactly what this petition does: it asks the TTAB to cancel registrations because X Corp. has legally abandoned the marks and continues to block new applications.</p><p>The petition explains that Bluebird’s applications have been suspended or refused based on these older registrations, giving them a legal basis (“entitlement to a statutory cause of action”) to seek cancellation.</p></li></ul>								</div>
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					<h5 class="elementor-heading-title elementor-size-default">What Clients Should Take Away from This</h5>				</div>
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									<p> Whether you are building a new brand or protecting an existing one, abandonment principles matter greatly:</p><ol><li><strong> Trademark rights require active use </strong>Failing to use a mark—especially after a rebrand—can result in a loss of exclusive rights.</li><li><strong> Public statements and conduct matter </strong>If a company signals it is ending a brand and then stops using it, those actions can be used as evidence of abandonment.</li><li><strong> Old registrations can block new applications </strong>Even unused marks remain on the registry until someone petitions for cancellation.</li><li><strong> Cancellation can clear the path for new branding </strong>If a legacy brand is truly abandoned, others may obtain rights legally—<strong>but only after the registrations are removed</strong>.</li></ol>								</div>
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					<h6 class="elementor-heading-title elementor-size-default">Final Thoughts</h6>				</div>
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									<p>The transformation from <strong>Twitter</strong> to <strong>X</strong> is one of the most high-profile corporate rebrands in modern history. But rebranding does not just involve new logos and new names—it also has serious trademark implications. The law requires ongoing commercial use to maintain rights, and when that use stops, the registrations no longer serve their purpose.</p><p>Understanding how abandonment works under the Lanham Act empowers businesses to protect their brands strategically—whether they are retiring a mark or looking to adopt one that may have been left behind.</p><p>If you have questions about whether a mark has been abandoned—or whether you can safely adopt a previously used name—professional legal guidance is essential.</p>								</div>
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		<p>The post <a href="https://augustoperera.com/2025/12/09/twitter-trademark-challenges-abandonment-us-law/">Why the Twitter® Trademarks Are Being Challenged: Understanding Abandonment Under U.S. Trademark Law</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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		<title>Federal Ban on Intoxicating Hemp Products Deepens Trademark Uncertainty for CBD Brands</title>
		<link>https://augustoperera.com/2025/11/17/intoxicating-hemp-ban-trademark-uncertainty/</link>
		
		<dc:creator><![CDATA[Augusto Perera]]></dc:creator>
		<pubDate>Mon, 17 Nov 2025 21:39:14 +0000</pubDate>
				<category><![CDATA[Trademark]]></category>
		<guid isPermaLink="false">http://augustoperera.com/?p=3964</guid>

					<description><![CDATA[<p>The regulatory landscape for hemp and CBD products has grown more complex following the recent enactment of a federal ban targeting intoxicating hemp-derived cannabinoids. While the 2018 Farm Bill had opened the door for hemp’s lawful production and removed it from the Controlled Substances Act (CSA), that opening has narrowed once again—this time through bipartisan[...]</p>
<p>The post <a href="https://augustoperera.com/2025/11/17/intoxicating-hemp-ban-trademark-uncertainty/">Federal Ban on Intoxicating Hemp Products Deepens Trademark Uncertainty for CBD Brands</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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					<h1 class="elementor-heading-title elementor-size-default">Federal Ban on Intoxicating Hemp Products Deepens Trademark Uncertainty for CBD Brands</h1>				</div>
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									<p>The regulatory landscape for hemp and CBD products has grown more complex following the recent enactment of a federal ban targeting intoxicating hemp-derived cannabinoids. While the 2018 Farm Bill had opened the door for hemp’s lawful production and removed it from the Controlled Substances Act (CSA), that opening has narrowed once again—this time through bipartisan congressional action and executive approval.</p><p>The new law, signed in 2024, prohibits hemp-derived cannabinoids that produce intoxicating effects—such as delta-8 THC and similar synthetic or semi-synthetic compounds—even if they are sourced from federally legal hemp. This represents a marked shift in federal enforcement posture and introduces further challenges for businesses seeking to build and protect hemp-based brands, particularly those operating in the grey area between cannabis legality and consumer product innovation.</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">Exam Guide 1-19: Still the USPTO’s Standard</h2>				</div>
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									<p>Since 2019, trademark examiners at the United States Patent and Trademark Office (USPTO) have applied <strong>Examination Guide 1-19</strong>, which interprets the 2018 Farm Bill to allow trademark registration for some hemp-derived goods—<strong>but only if they do not violate other federal laws</strong>, most notably the Federal Food, Drug, and Cosmetic Act (FDCA).</p><p>Under this guidance:</p><ul><li>Goods containing CBD or other cannabinoids must be derived from hemp (≤0.3% THC).</li><li>Ingestible products such as supplements, pet treats, and beverages are still refused registration because the FDA prohibits CBD as an ingredient in such products.</li><li>Any cannabinoid deemed a controlled substance, or used in a manner inconsistent with FDA regulation, renders the mark unregistrable under the Trademark Act due to unlawful use in commerce.</li></ul><p>With the newly enacted federal ban, the situation becomes even more complicated. Products containing delta-8, HHC, THCO, and other similar cannabinoids—once marketed as Farm Bill-compliant—may now fall squarely into the category of federally prohibited substances. Accordingly, any attempt to register trademarks for these goods will be rejected on grounds of illegality under both the CSA and the FDCA.</p>								</div>
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					<h3 class="elementor-heading-title elementor-size-default">A Widening Gap Between Market Activity and Trademark Protection</h3>				</div>
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									<p>The booming market for hemp-derived cannabinoids has been met with tightening federal oversight. This legal disconnect leaves brand owners with legitimate concerns:</p><ul><li>Many businesses invested heavily in developing hemp-based products that were previously considered lawful.</li><li>Federal trademark protection remains unavailable for a wide swath of hemp-derived goods—particularly those that are ingestible or potentially intoxicating.</li><li>The new law now criminalizes the very products that helped sustain large segments of the hemp industry after the 2018 Farm Bill.</li></ul><p>The USPTO is expected to revise or expand its examination guidelines to reflect this change in federal law, particularly as it relates to intoxicating cannabinoids. When that update comes, we may see stricter scrutiny across the board—not only for delta-8 and similar compounds but for any product that may blur the line between hemp and marijuana or raise health and safety concerns under the FDCA.</p>								</div>
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					<h4 class="elementor-heading-title elementor-size-default">Trademark Implications Going Forward</h4>				</div>
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									<ul><li><p>If you’re thinking about launching an “equivalent” perfume line, here are a few red flags to avoid:</p><ul><li><strong>Misleading marketing.</strong> Claims like “100% identical” or “the same as” can trigger legal trouble.</li><li><strong>Poorly displayed disclaimers.</strong> Hiding your disclaimers in small print won’t protect you.</li><li><strong>Confusing packaging.</strong> Using bottle shapes, colors, or fonts that resemble well-known brands increases the likelihood of confusion.</li><li><strong>Inconsistent quality.</strong> Even if the scent is similar, differences in wear time or ingredients can make “equivalence” claims risky.</li></ul></li></ul>								</div>
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					<h5 class="elementor-heading-title elementor-size-default"> The Importance of Trademark Protection</h5>				</div>
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									<p>For businesses in the hemp sector, the shifting legal framework underscores the importance of staying aligned with evolving definitions of legality at the federal level. Even products that are legal under state law—or that were once considered federally compliant—may now fall outside the bounds of lawful use in commerce under the Lanham Act.</p><p>Until the USPTO updates its guidance to reflect this new federal ban, Exam Guide 1-19 remains the operative standard. But for many CBD and hemp businesses, especially those producing now-prohibited cannabinoids, the path to federal trademark protection has effectively narrowed—if not closed entirely.</p>								</div>
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					<h6 class="elementor-heading-title elementor-size-default">Conclusion</h6>				</div>
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									<p>The federal ban on intoxicating hemp products marks a major turning point for the CBD and hemp industries. While the 2018 Farm Bill once offered hope for expanded access to federal trademark protection, recent developments have reversed course for many businesses. With Exam Guide 1-19 still in force and no new USPTO guidance yet issued, brand owners are left navigating uncertainty.</p><p>Until federal agencies issue clear and updated frameworks, the key question remains: can your product be lawfully sold in interstate commerce under both the CSA and the FDCA? If the answer is no, then federal trademark protection will remain out of reach.</p>								</div>
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		<p>The post <a href="https://augustoperera.com/2025/11/17/intoxicating-hemp-ban-trademark-uncertainty/">Federal Ban on Intoxicating Hemp Products Deepens Trademark Uncertainty for CBD Brands</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">3964</post-id>	</item>
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		<title>Why Trademark Protection Matters in the Fragrance Industry: The Truth Behind “Inspired By” Perfumes</title>
		<link>https://augustoperera.com/2025/11/04/trademark-protection-fragrance-industry-inspired-by-perfumes/</link>
		
		<dc:creator><![CDATA[Augusto Perera]]></dc:creator>
		<pubDate>Tue, 04 Nov 2025 16:51:26 +0000</pubDate>
				<category><![CDATA[Trademark]]></category>
		<guid isPermaLink="false">http://augustoperera.com/?p=3935</guid>

					<description><![CDATA[<p>The perfume world is full of creativity, luxury, and competition—but it’s also filled with confusion. If you’ve ever walked into a store or browsed online and seen perfumes labeled “similar to” or “inspired by” major luxury brands, you may have wondered: Is that even legal? If you’re a brand owner—or an entrepreneur considering entering the fragrance[...]</p>
<p>The post <a href="https://augustoperera.com/2025/11/04/trademark-protection-fragrance-industry-inspired-by-perfumes/">Why Trademark Protection Matters in the Fragrance Industry: The Truth Behind “Inspired By” Perfumes</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="3935" class="elementor elementor-3935" data-elementor-post-type="post">
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					<h1 class="elementor-heading-title elementor-size-default">Why Trademark Protection Matters in the Fragrance Industry: The Truth Behind “Inspired By” Perfumes</h1>				</div>
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									<p>The perfume world is full of creativity, luxury, and competition—but it’s also filled with confusion. If you’ve ever walked into a store or browsed online and seen perfumes labeled “similar to” or “inspired by” major luxury brands, you may have wondered: <em>Is that even legal?</em></p><p>If you’re a brand owner—or an entrepreneur considering entering the fragrance industry—this article is for you. We’ll explore the fine line between fair competition and trademark infringement, and why protecting your brand is more important than ever.</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">The Rise of “Equivalent” Perfumes</h2>				</div>
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									<p>Many companies in the U.S. market create and sell fragrances that mimic the scent profiles of iconic luxury perfumes. These “dupes” are often marketed using phrases like:</p><ul><li>“Inspired by [Brand]”</li><li>“Equivalent to [Brand]”</li><li>“Similar to [Brand]”</li></ul><p>While these phrases may sound harmless, they walk a very thin legal line. Why? Because they rely on the reputation, identity, and goodwill of well-known trademarks—without permission.</p>								</div>
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					<h3 class="elementor-heading-title elementor-size-default">When Is It Legal? When Is It Risky?</h3>				</div>
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									<p>Under U.S. law, certain types of “comparative advertising” are allowed. Businesses can refer to another brand if it’s done truthfully and in a way that doesn’t mislead consumers. For example, it may be legal to say your product smells like a popular perfume—<strong>as long as:</strong></p><ul><li>You clearly identify your own brand as the source.</li><li>You don’t imply endorsement or affiliation with the original brand.</li><li>You avoid using logos, distinctive packaging, or slogans that might confuse buyers.</li><li>You include disclaimers like: “Not affiliated with [Brand].”</li></ul><p>However, there are limits.</p><p>If the claims are exaggerated, deceptive, or suggest that your fragrance is an exact replica—especially when it’s not—you risk violating trademark law. This can lead to lawsuits, forced rebranding, and even financial penalties.</p>								</div>
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					<h4 class="elementor-heading-title elementor-size-default">Common Pitfalls for Perfume Startups</h4>				</div>
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									<ul><li><p>If you’re thinking about launching an “equivalent” perfume line, here are a few red flags to avoid:</p><ul><li><strong>Misleading marketing.</strong> Claims like “100% identical” or “the same as” can trigger legal trouble.</li><li><strong>Poorly displayed disclaimers.</strong> Hiding your disclaimers in small print won’t protect you.</li><li><strong>Confusing packaging.</strong> Using bottle shapes, colors, or fonts that resemble well-known brands increases the likelihood of confusion.</li><li><strong>Inconsistent quality.</strong> Even if the scent is similar, differences in wear time or ingredients can make “equivalence” claims risky.</li></ul></li></ul>								</div>
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					<h4 class="elementor-heading-title elementor-size-default"> The Importance of Trademark Protection</h4>				</div>
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									<ul><li><p>If you are a <strong>brand owner</strong>, protecting your trademark is essential to preserving your market position, reputation, and customer loyalty. Here’s why it matters:</p><ul><li><strong>Prevents copycats</strong> from trading on your brand’s reputation.</li><li><strong>Creates legal leverage</strong> to stop infringing marketing or packaging.</li><li><strong>Builds brand value</strong> that can be licensed, franchised, or sold.</li><li><strong>Gives you exclusive rights</strong> to use your name and logo in your industry.</li></ul><p>Even if your product isn’t patented (as is often the case with fragrances), your trademark still provides powerful protection against unfair competition.</p></li></ul>								</div>
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					<h5 class="elementor-heading-title elementor-size-default">What About Other Countries?</h5>				</div>
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									<ul><li><p class="p3">Trademark law is not the same everywhere—and if you’re planning to expand internationally, this matters. In the <span class="s2"><b>European Union</b></span>, the <span class="s2"><b>Court of Justice of the EU (CJEU)</b></span> has granted <span class="s2"><b>stronger protection to well-known trademarks</b></span>. In some cases, <span class="s2"><b>even mentioning</b></span> a famous third-party brand can be considered <span class="s2"><b>trademark infringement or unfair competition</b></span>—regardless of whether the claim is truthful. Here, the <span class="s2"><b>rights of brand owners</b></span> often take priority over the <span class="s2"><b>consumer’s right to information</b></span> or a competitor’s right to market their products.</p><p class="p3">In contrast, <span class="s2"><b>the U.S. and the U.K. take a more flexible approach</b></span>, generally allowing comparative advertising that is <span class="s2"><b>truthful, clear, and non-confusing</b></span>. This legal environment favors <span class="s2"><b>consumer awareness</b></span> and allows businesses more room to compete—as long as they don’t cross the line into deception or brand dilution.</p><p><strong>Bottom Line: Compete with creativity, not confusion</strong></p><p>Creating perfumes inspired by well-known brands can be legal in the U.S.—<strong>as long as your marketing is honest, transparent, and avoids misleading consumers</strong>. But this isn’t always the case globally.</p><p>For instance, in the <strong>European Union</strong>, courts take a much <strong>stricter view</strong>. Merely referencing a well-known trademark can be considered <strong>infringement</strong>, even when there is no confusion or false claim. This is a sharp contrast to the <strong>more flexible approach</strong> in places like the <strong>U.S. and U.K.</strong>, where consumer rights and competitive freedom are more protected.</p><p>That’s why it’s so important to <strong>understand the legal boundaries of each market you operate in</strong>. Whether you’re launching locally or expanding abroad, investing in trademark protection and legal strategy doesn’t just protect your brand today—it lays the foundation for long-term, secure growth.</p></li></ul>								</div>
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					<h6 class="elementor-heading-title elementor-size-default">Need Help Navigating the Trademark Landscape?</h6>				</div>
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									<p>At <strong>Augusto Perera, P.A.</strong>, we help fragrance companies and brand owners understand and enforce their rights. Whether you’re protecting your own identity or avoiding infringement pitfalls, we’ll guide you through the legal complexities with clarity and confidence.</p><p><strong>Call us at (305) 489-1901</strong></p><p><strong>Email: ap@tmmiami.com</strong></p><p><strong>Visit: www.tmmiami.com</strong></p><p><strong>Secure your scent. Protect your brand.</strong></p>								</div>
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		<p>The post <a href="https://augustoperera.com/2025/11/04/trademark-protection-fragrance-industry-inspired-by-perfumes/">Why Trademark Protection Matters in the Fragrance Industry: The Truth Behind “Inspired By” Perfumes</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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		<title>U.S. Federal Government Shutdown: Impacts on Trademark and Copyright Filings</title>
		<link>https://augustoperera.com/2025/10/07/federal-government-shutdown-trademark-copyright-filings/</link>
		
		<dc:creator><![CDATA[Augusto Perera]]></dc:creator>
		<pubDate>Tue, 07 Oct 2025 14:36:00 +0000</pubDate>
				<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Trademark]]></category>
		<guid isPermaLink="false">http://augustoperera.com/?p=3894</guid>

					<description><![CDATA[<p>As the U.S. federal government experiences a lapse in funding, many agencies have adjusted or suspended operations. Below is an update on how the shutdown affects trademark and copyright filings. Trademark Filings – USPTO Remains Open and Fully Operational The United States Patent and Trademark Office (USPTO) has confirmed that it will continue normal operations during the shutdown: USPTO[...]</p>
<p>The post <a href="https://augustoperera.com/2025/10/07/federal-government-shutdown-trademark-copyright-filings/">U.S. Federal Government Shutdown: Impacts on Trademark and Copyright Filings</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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									<p class="p1">As the U.S. federal government experiences a lapse in funding, many agencies have adjusted or suspended operations. Below is an update on how the shutdown affects <span class="s1"><b>trademark</b></span> and <span class="s1"><b>copyright</b></span> filings.</p>								</div>
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									<p class="p1">The United States Patent and Trademark Office (USPTO) has confirmed that it will continue normal operations during the shutdown:</p><blockquote><p><b>USPTO operating status during a lapse in federal appropriations</b></p><p>At present, the USPTO will remain open and fully operational until further notice under operating reserves from the prior year’s fee collections.</p><p> </p></blockquote><p class="p7"><b>Key takeaway:</b><span class="s3"> The </span><b>USPTO remains open</b><span class="s3"> and is </span><b>processing trademark applications, renewals, and other filings as usual</b><span class="s3">. Businesses can continue to file and maintain their trademark rights without disruption.</span></p>								</div>
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					<h3 class="elementor-heading-title elementor-size-default">Copyright Filings – Office Closed, but Online Submissions Accepted</h3>				</div>
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									<p class="p3">The U.S. Copyright Office has announced the following:</p><blockquote><p><b>Notice: </b><b></b>Due to a lapse in government funding, the U.S. Copyright Office is closed, as is the Library of Congress. As such, the office is unable to update the information on this website, respond to inquiries, or process transactions. Registration and recordation submissions will be accepted for the purpose of securing date of receipt but will not be processed. Website updates and all normal business activity will resume when the government reopens. If you would like to file a copyright registration or submit a document recordation, our online systems are available. Filing your registration claim now will help ensure the earliest possible effective date of registration, although submissions will not be processed until the Copyright Office reopens.</p></blockquote><p class="p3"><span class="s2"><b>Key takeaway:</b></span> The Copyright Office is <span class="s2"><b>closed</b></span>, but <span class="s2"><b>online filings are still possible</b></span>. Filing now can help secure your effective date once the office resumes operations.</p>								</div>
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					<h4 class="elementor-heading-title elementor-size-default">What This Means for You:</h4>				</div>
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									<ul><li><p class="p1"><span class="s1"><b>Trademarks:</b></span> Continue business as usual—applications, renewals, and responses are being processed.</p></li><li><p class="p1"><span class="s1"><b>Copyrights:</b></span> Online submissions are accepted and will be date-stamped, but processing is paused until the government reopens.</p></li></ul><p class="p4">Our team is monitoring these developments closely and is available to assist with any filings or questions to help protect your intellectual property during the shutdown.</p>								</div>
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		<p>The post <a href="https://augustoperera.com/2025/10/07/federal-government-shutdown-trademark-copyright-filings/">U.S. Federal Government Shutdown: Impacts on Trademark and Copyright Filings</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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		<title>Can I Use the Image of a Deceased Celebrity in 2025?</title>
		<link>https://augustoperera.com/2025/10/03/use-deceased-celebrity-image-2025/</link>
		
		<dc:creator><![CDATA[Augusto Perera]]></dc:creator>
		<pubDate>Fri, 03 Oct 2025 14:25:04 +0000</pubDate>
				<category><![CDATA[Copyright]]></category>
		<guid isPermaLink="false">http://augustoperera.com/?p=3857</guid>

					<description><![CDATA[<p>The short answer: most likely no — at least not without permission. The Right of Publicity After Death The right of publicity protects a person’s name, likeness, nickname, pseudonym, voice, signature, and otheridentifying traits from being misappropriated for commercial purposes.There is still no federal law governing publicity rights. Instead, protection is determined at the state[...]</p>
<p>The post <a href="https://augustoperera.com/2025/10/03/use-deceased-celebrity-image-2025/">Can I Use the Image of a Deceased Celebrity in 2025?</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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					<h1 class="elementor-heading-title elementor-size-default">Can I Use the Image of a Deceased Celebrity in 2025?</h1>				</div>
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									<p>The short answer: <strong>most likely no — at least not without permission.</strong></p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">The Right of Publicity After Death</h2>				</div>
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									<p>The right of publicity protects a person’s name, likeness, nickname, pseudonym, voice, signature, and other<br />identifying traits from being misappropriated for commercial purposes.<br />There is still no federal law governing publicity rights. Instead, protection is determined at the state level, and rules vary dramatically:<br /><strong>• Indiana:</strong> 100 years after death.<br /><strong>• California:</strong> 70 years postmortem (most Hollywood celebrities fall here).<br /><strong>• Illinois:</strong> 50 years.<br /><strong>• Florida:</strong> 40 years.<br /><strong>• New York:</strong> only since 2021, with limited postmortem rights, especially for <strong>performers and digital replicas.</strong><br />This makes the celebrity’s state of residence at the time of death crucial when determining whether their estate controls the commercial use of their image.</p>								</div>
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					<h3 class="elementor-heading-title elementor-size-default">Recent High-Profile Examples (2024–2025)</h3>				</div>
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									<p><strong>• Matthew Perry</strong> (d. 2023, California) – Protected for 70 years under California law. Any AI voice, hologram,<br />or merchandise must be licensed through his estate.<br /><strong>• Tina Turner</strong> (d. 2023, Switzerland/California connections) – Complex jurisdictional issues: her estate is pursuing protections in both Europe and the U.S.<br /><strong>• O.J. Simpson</strong> (d. 2024, Nevada) – Nevada has no postmortem publicity statute, making commercial use of<br />his likeness less restricted than in California or Indiana.<br /><strong>• Tony Bennett</strong> (d. 2023, New York) – His estate can now prevent unauthorized AI reproductions of his<br />likeness or voice thanks to New York’s updated law.<br />These examples show how the legal landscape can shift dramatically based on where the celebrity lived or was<br />domiciled at death.</p>								</div>
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					<h4 class="elementor-heading-title elementor-size-default">Federal Developments: The No Fakes Act</h4>				</div>
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									<p>In 2024, Congress introduced the <strong>No Fakes Act,</strong> a bipartisan proposal aimed at tackling the rise of <strong>AI-generated</strong><br /><strong>“deepfakes”</strong> of celebrities, musicians, and influencers.<br />• It would give both living and deceased individuals control over the commercial use of their <strong>voice, image,</strong><br /><strong>and likeness</strong> in <strong>digital replicas.</strong><br />• Estates could take action against unauthorized AI versions of a star, even if state law would not normally<br />protect them.<br />• While not yet passed, the bill reflects growing momentum toward <strong>federal-level protection,</strong> which could<br />eventually replace the current patchwork of state laws.<br />If enacted, it could prevent scenarios like an AI-generated “new album” from a late artist (without estate approval)<br />or a hologram performance used for profit without consent.</p>								</div>
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					<h5 class="elementor-heading-title elementor-size-default">What If You Want to Use a Celebrity’s Image?</h5>				</div>
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									<p>If the celebrity died in a state that recognizes postmortem rights — or if federal law is enacted — you should:<br /><strong>1. Obtain a license from the estate</strong> (or whoever controls those rights).<br /><strong>2. Avoid misleading implications</strong> — even in states without protection, unauthorized use could lead to claims of<strong> false endorsement or unfair competition.</strong><br /><strong>3. Check for trademarks</strong> — estates often register names, phrases, or likenesses (e.g., “Elvis,” “Marilyn<br />Monroe”) as trademarks. Unlike publicity rights, trademarks can last indefinitely if renewed and used in<br />commerce.</p>								</div>
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					<h6 class="elementor-heading-title elementor-size-default">The Bottom Line in 2025</h6>				</div>
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									<p>Between <strong>state law protections, trademark strategies,</strong> and the proposed <strong>No Fakes Act,</strong> using the image, name, or voice of a dead celebrity has never been riskier without proper legal clearance.<br />If you’re considering using a deceased celebrity’s likeness in merchandise, advertising, or creative projects, assume you’ll need permission — and possibly multiple layers of it.<br />I’ve helped many businesses navigate these issues, from licensing agreements with estates to registering<br />trademarks that preserve long-term rights. If you’re exploring this gray area, I can help protect your brand — and keep you out of legal trouble.</p>								</div>
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		<p>The post <a href="https://augustoperera.com/2025/10/03/use-deceased-celebrity-image-2025/">Can I Use the Image of a Deceased Celebrity in 2025?</a> appeared first on <a href="https://augustoperera.com">Augusto Perera | International Trademark Attorney</a>.</p>
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